Notice that these are two distinct uses of the term: the first points to an excellent hearing from the perspective of the mind the second from the physical perspective of the body. This is true for acclaimed audio engineers like Chris Lord-Alge or Dave Pensado.ДЄdditionally, it is also a term used by some medical professionals to describe people who show no signs of age-related hearing loss as they age. That prevents clipping the output of your audio inteface.Д«ruce Bartlett is a recording engineer and microphone engineer ( His most recent books are вЂњPractical Recording Techniques 6th Ed.вЂќ and вЂњRecording Music On Location.ThereвЂ™s a term used to describe those people with extraordinary hearing skills вЂ“ they are known as having golden ears. If the stereo mix level starts to exceed 0 dB, bring down the two master faders below 0 until the meter reads about -3 dB maximum. In that case you can touch up the master fader levels. Some DAWs are designed so that the stereo mix bus cannot be overloaded. The maximum meter reading of the complete mix should reach about -3 dB, but itвЂ™s not too critical. That prevents clipping the stereo mix bus. If the stereo mix level is getting too high, turn down all the track faders by the same amount. In the mixing console view, usually at the far right, are the stereo output master faders and meters. ThatвЂ™s another reason to keep the track faders fairly low, so that the stereo mix bus doesnвЂ™t overload. Even if each track does not exceed 0 dB level, the combined level of the mixed tracks can easily go above 0 dB, causing clipping in the stereo mix bus. The more tracks you mix together, the higher the level of the combined signals. The track trim control affects the level going into the equalizer.Дuring a mixdown, all the tracks are summed or combined before they feed into the stereo mix bus. If not, turn down the track trim to prevent clipping the equalizer.

When you apply a boost, if the track starts to clip, turn down the equalizer gain if it has that feature. So watch the meters in your equalizer plug-in. Same for volume envelopesвЂ¦ stay below 0 dB maximum unless the signal is so low that boosting it causes no clipping.ДЄ boost in an equalizer raises the signal level at the frequencies you boosted, potentially causing clipping. Then you can bring up the volume of certain tracks without running into clipping. Leave the master faders (in the mixing console view) at 0 dB. So start with all the faders low, like -12. If you recorded a track just below clipping, then you raise its fader above 0, that adds gain which makes the track clip. You might start a mix with all the faders at -12 (see the figure), then go from there. During mixdown, no fader should go above 0. Reply: Compressors are not meant to prevent clipping, faders are. IвЂ™m tired of using compressors to avoid pegging the meters. But what about AFTER IвЂ™ve recorded and am mixing down? Many tracks are clipping, and so is the stereo mix bus. I know to avoid вЂњoversвЂќ or clipping when recording, and I usually keep my recording levels slightly below the red. The gain knobs in your audio interface set the recording levels. Reply: They arenвЂ™t! The faders affect only the monitor levels and mix levels. (3) IвЂ™m touching up my recording levels with the DAW faders, but they donвЂ™t seem to be doing anything. Also, aiming for -6 dB maximum prevents accidental Overs. That way, when you add more gain from plug-ins, you are less likely to clip the signal. Use conservative recording levels, like -6 dB maximum in peak meter mode. Just turn down the gain on your audio interface. (2) Should I insert a compressor plug-in to prevent clipping? If you are recording a loud instrument with a condenser mic, switch in the micвЂ™s pad (if it has one) to prevent distortion in the microphone itself. Set the interface gain knobs on the loudest notes so the interfaceвЂ™s clip lights donвЂ™t flash. You might be clipping the mic preamps in your audio interface. So, if your record level reaches -1 dB in RMS meter mode, it might actually be over zero (clipping) in peak meter mode. Peak levels are always higher than RMS levels. The RMS levels show approximately how loud the signal is. The peak levels show how close the signal is to clipping. Reply: Make sure to set your record meters and playback meters to read peak levels, not RMS levels. (1) When I record myself or our band, IвЂ™m clipping the waveform even though IвЂ™m not exceeding 0 dB at the top of the level meter.

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